Editorial Illustration

Graphic conceptual construction: bold simplified silhouettes and flat, poster-like colour shapes with a strictly limited palette of two or three hues plus one accent. Forms are reduced to clean geometry with smooth curves and hard edges; faces stay stylised, not photoreal. Texture comes from a fine printed grain and subtle paper speckle; shading is a flat tonal step or two, never modelled rendering. The key device is visual metaphor and surreal scale juxtaposition, composed with generous negative space and strong asymmetry so the idea reads instantly. Any typographic feel is purely abstract; no readable lettering, captions or labels are drawn.